3 Artworks of 3 Artist releating to speak and memory Assignment

3 Art workings of 3 Artist releating to speak and memory - Assignment ExampleThe opinion of memory and speak is brought in the painting Kahlos Self-Portrait with Portrait of Dr. Farill as it depicts her state of psychology during her long, tempestuous relationship with Diego Rivera (Lindauer 83). Even when her partner Rivera figure does non appear in her painting, she has a tendency to identify other elements and features of her paintings as a symbol of the presence of her partner. To make herself well remembered, she paints herself having heavy eyebrows that are conjugate into one in order to express and androgynous mind. It is striking how Dr. Farill, who had normal eyebrows, gains unified ones in the painting. She wants to be associated with her physician and to hold the memories of him when she alters her costume to resemble a white coat of a physician. Her diary confirms her need to keep the memory of the doctor, and her identification with the doctor in the portrait is to sh ow as her the doctor works hard, continues to care for the sick plot of ground he is also seriously ill (Lindauer 87). Kahlo wants to depict the importance of doctors in the society and why they should be remembered. The brushes and a pallette just close to her painting of her doctor that depicts the nature of Kahlos art, where she says that her painting is carrying a message of pain. The palette in her lap is replaced by part of her heart, while her paintbrushes are dripping with blood, that leaves the view with no doubt that her existence is important and need a memory.When one looks at this painting and identifies the different elements used, one cannot stand by but see the artwork of Jan Van Eyck. Here the concept of memory is brought up as Durer does not the painting of Eyck to go unremembered, but is in memory of those who view his own paintings. Durer puts an inscription some place within his painting so that he can bring to the viewer the meaning undersurface the paintin g (Koerner 31). It is his signature of using inscription